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William Clere Leonard Brendan Parsons, the present Earl of Rosse and the 7th of his line, is like his Great-Great Grandfather, William Parsons - passionate about Astronomy and the important role that his ancestral home at Birr Castle has played in man’s quest to understand the nature of the Universe.
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The NeverEnding Story II: The Next Chapter | |
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International theatrical release poster by Renato Casaro | |
Directed by | George T. Miller |
Produced by | Dieter Geissler |
Screenplay by | Karin Howard |
Based on | The Neverending Story by Michael Ende |
Starring |
|
Music by | Robert Folk |
Cinematography | David Connell |
Edited by | |
Production company | |
Distributed by | Warner Bros. |
Release date | |
Running time | 90 minutes[1] |
Countries | West Germany United States |
Language | English |
Box office | $17.4 million[2] |
The NeverEnding Story II: The Next Chapter is a 1990 German-American fantasy film and a sequel to The NeverEnding Story. It was directed by George T. Miller and stars Jonathan Brandis as Bastian Bux, Kenny Morrison as Atreyu, and Alexandra Johnes as the Childlike Empress. The only actor to return from the first film was Thomas Hill as Carl Conrad Coreander. The film used plot elements from Michael Ende's novel The Neverending Story (primarily the second half) but introduced a new storyline. Upon its American theatrical release in 1991, the Bugs Bunny animated short 'Box-Office Bunny' was shown before the film. This short was also included on the VHS and LaserDisc release later that year.
- The title of upcoming book, 'Leviathan Falls,' echoes the name of the first book, 'Leviathan Wakes.' Comments (0) The ninth and final book in 'The Expanse' book series was unveiled by Orbit Books.
- A Neverending Journey. We transform attitudes towards life, together and alone. How you can best manoeuvre through it by providing you the landscape and food for thought.
- Episodic adventure game developed and published by Russian game studio Lostwood Games for the Microsoft Windows, Mac OS, iOS, and Android platforms. The game includes 5 episodes, and as of January 2016, 4 episodes have been released in German.
Plot[edit]
Bastian Balthazar Bux seeks to join his school's swimming team, but his ability to jump off a diving board is marred by his acrophobia (fear of heights). He revisits Carl Conrad Coreander's antiquarian bookstore to seek advice on courage, where he rediscovers the Neverending Story and hears the Childlike Empress call out to him for aid. Bastian takes the book home while the Auryn amulet magically comes off the book cover which Bastian takes and is summoned to Fantasia, where he meets a bird-like creature named Nimbly and is reunited with Atreyu. After the group encounters and escapes from giants, Bastian comes to understand that a force called 'Emptiness' is spreading across Fantasia. This force has been brought about by the evil sorceressXayide, who seeks to seize power over Fantasia. To hinder Bastian's quest, Xayide's inventor Tri-Face develops an apparatus that strips Bastian of a memory each time he uses the Auryn amulet to make a wish. Nimbly was sent as a spy to persuade Bastian to make wishes until he is unable to remember why he came to Fantasia.
Bastian and Atreyu seek out and capture Xayide. She seems to abandon her quest for power and agrees to lead the two to the Childlike Empress. During the travel to the Empress's castle, Xayide tricks Bastian into believing that his friends will turn against him and manages to get him to wish for a series of ridiculous wishes. It also becomes obvious to Atreyu that they are being led aimlessly. Meanwhile, Bastian's father Barney has noticed his son's disappearance. He finds the Neverending Story in Bastian's room and sees a sticker on the front cover listing the bookstore's address. Barney rushes to confront Mr. Coreander, who simply tells him that he will find the answers to his son's whereabouts inside the book. Returning later with a police officer, Barney is shocked to see the bookstore abandoned. Eventually, Barney reads the book and is surprised to see his son's exploits in Fantasia being written by the book itself and that he is mentioned within.
Atreyu determines what Xayide is planning, while Bastian is fully persuaded that Atreyu has turned on him. In a struggle between the two, Atreyu is knocked over a cliff and falls to his death. Returning to Xayide, Bastian discovers the apparatus for himself and learns that he only has two memories left, consisting of his mother and father. Bastian uses his penultimate memory of his mother to wish Atreyu back to life. Xayide tries to force Bastian to use his last wish to return home. Bastian agrees to do so, but wishes for the sorceress 'to have a heart' instead. This fills Xayide with emotion, negating the Emptiness within her and which she controls. Overcome with compassion, Xayide explodes in a blast of light, and Fantasia is restored. Having been freed, the Childlike Empress thanks Bastian for his help while Bastian gives her the Auryn amulet and shows him the way home: a cliff overlooking a waterfall to help Bastian overcome his fear of heights. Encouraged by Barney and Atreyu, Bastian jumps off and returns home safely while the Auryn amulet magically goes back onto the book cover.
Cast[edit]
- Jonathan Brandis as Bastian Balthazar Bux
- Kenny Morrison as Atreyu
- Clarissa Burt as Xayide
- John Wesley Shipp as Barney Bux (Bastian's father)
- Alexandra Johnes as Childlike Empress
- Thomas Hill as Carl Conrad Coreander
- Donald Arthur (voice) as Falkor
- Martin Umbach as Nimbly
- Noah Hathaway (uncredited archival footage) as Atreyu
- Dan Fincher (uncredited voice) as Rockbiter
Production[edit]
Producer Dieter Geissler [de] declared he always intended to make a trilogy out of Michael Ende's The Neverending Story, finding the book 'just too rich to leave at one film'. However, his plans to follow the original film, which only covers half of the novel, had to be postponed as Ende sued Geissler and the production company, insisting that he have a say in any future film treatments of his work. As soon as the legal problems were solved, Geissler started a year-long pre-production working with conceptual artist Ludwig Angerer, to ensure the film's design and technical ambitions would fit into a lower budget, along with averting the problems the first film faced with its effects. Geissler also hired screenwriter Karin Howard, who contributed 14 drafts until the final screenplay, which draws inspiration from most chapters in the second half of Ende's novel. Geissler opted to invite a director only when the development was finished, as he considered effects-heavy productions 'burn a director out real fast when they're in on a picture from the earliest pre-production stages. What I wanted was for the director to come in fresh and not already worn out and to be able to put his ideas on an already solid structure'. He eventually brought in the Australian George T. Miller, who was a fan of the original film. Over 600 children were auditioned, given the original actors were now too old for their roles. In contrast to The NeverEnding Story relying on blue screen and scale model creatures, The Next Chapter would have more life-sized model work and matte paintings. Principal photography begun in early 1990 at Bavaria Film near Munich. The original plan was to build three separate stages, having first and second unit shooting simultaneously on the first two-stage and have the effects done on the third. But the studio decided not to build the third stage at the last minute, forcing production to shoot first and second unit on the same stage at the same time; the stage being Stage 7 at Bavaria Studios.[3] As labour rules regarding child actors limited their working schedules, Miller decided to only rehearse scenes once before filming, and maximized the time with the children on set by shooting with as many as three cameras on every scene. This created a problem as Miller's fear of falling late wound up making the film so ahead of schedule the effects team had not completed the necessary work for later scenes.[4]
Soundtrack[edit]
The Neverending Story II - The Next Chapter: Original Soundtrack | ||||
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Soundtrack album by | ||||
Released | 1990 | |||
Genre | Score, Pop | |||
Length | 45:53 | |||
Label | WEA | |||
The Neverending Story soundtrack chronology | ||||
|
No. | Title | Writer(s) | Performer(s) | Length |
---|---|---|---|---|
1. | 'Searching For Fantasia' | Robert Folk | Robert Folk | 2:19 |
2. | 'Dreams We Dream' | Giorgio Moroder, Tom Whitlock | Joe Milner | 4:23 |
3. | 'Heaven's Just A Heartbeat' | Moroder, Whitlock | Joe Milner | 4:10 |
4. | 'The Neverending Story' | Moroder, Keith Forsey | Joe Milner | 3:29 |
5. | 'Dreams We Dream (Instrumental)' | Moroder, Whitlock | Giorgio Moroder | 4:27 |
6. | 'Bastian's Dream' | Folk | Robert Folk | 2:05 |
7. | 'Falkor's Quest' | Folk | Robert Folk | 2:33 |
8. | 'Flight Of The Dragon' | Folk | Robert Folk | 3:32 |
9. | 'Silver Mountains' | Folk | Robert Folk | 1:29 |
10. | 'Morning In Fantasia' | Folk | Robert Folk | 1:08 |
11. | 'The Childlike Empress' | Folk | Robert Folk | 2:15 |
12. | 'The Giants' Attack' | Folk | Robert Folk | 2:11 |
13. | 'Silver Lake' | Folk | Robert Folk | 2:54 |
14. | 'Xayide's Castle' | Folk | Robert Folk | 1:26 |
15. | 'Atreyu's Return To The Great Plains' | Folk | Robert Folk | 3:10 |
16. | 'Bastian's Lost Memories' | Folk | Robert Folk | 1:03 |
17. | 'Silver City' | Folk | Robert Folk | 2:05 |
18. | 'The Neverending Story (Reprise)' | Moroder, Forsey | Giorgio Moroder | 0:54 |
Total length: | 45:53 |
Reception[edit]
The film has a 14% score on Rotten Tomatoes based on seven reviews; the average critics' rating is 3.7/10.[5] Richard Harrington of The Washington Post wrote, 'Unlike its predecessor, there are few effects in II worthy of being called special, and events unfold with uniform flatness. Silver City feels like Diet Oz, the sorceress's castle is more hinted at than realized and several new creatures are right out of late-night comedy sketches'.[6] Chris Hicks, writing for the Deseret News, was kinder in his review, writing that it would be enjoyable to children, whereas the first film was enjoyable to the entire family.[7]
The film grossed $17,373,527 in the United States,[2] but was a bigger success in its native Germany, with 3,231,527 admissions, giving it the seventh-highest attendance of the year and making it one of the two German films to achieve domestic success in 1990, along with Werner – Beinhart![8][9] Elliot quest (itch) mac os.
References[edit]
- ^'THE NEVER ENDING STORY II - THE NEXT CHAPTER (U)'. British Board of Film Classification. November 5, 1990. Retrieved April 2, 2020.
- ^ ab'The Neverending Story II (1991)'. Box Office Mojo. Retrieved 13 January 2016.
- ^http://www.moon-city-garbage.agency/blog/july/index.htm
- ^Shapiro, Marc (April 1991). 'NeverEnding Stories'. Starlog (165): 29–32.
- ^'The Neverending Story II: The Next Chapter (1991)'. Rotten Tomatoes. Flixster. Retrieved April 23, 2016.
- ^Harrington, Richard (13 February 1991). ''The NeverEnding Story II: The Next Chapter' (G)'. The Washington Post. Retrieved 31 October 2017.
- ^Hicks, Chris (13 February 1991). 'Film review: Neverending Story II: The Next Chapter, The'. Deseret News. Retrieved 31 October 2017.
- ^Staff, Variety (6 May 1991). 'Geissler Of Munich Knows What They Want'. Variety. Retrieved 31 October 2017.
- ^'Die erfolgreichsten Filme in Deutschland 1990'. InsideKino. Retrieved 31 October 2017.
External links[edit]
- The NeverEnding Story II: The Next Chapter at IMDb
- The NeverEnding Story II: The Next Chapter at Box Office Mojo
- The NeverEnding Story II: The Next Chapter at Rotten Tomatoes
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Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_NeverEnding_Story_II:_The_Next_Chapter&oldid=1020234671'
Book II: Of Common-Wealth
Chapter 17: Of the Causes, Generation, and Definition of a Common-wealth
Chapter 18: Of the Rights of Soveraignes by Institution
Chapter 19: Of the severall Kinds of Common-wealth by Institution, and of Succession to the Soveraigne Power
Chapter 17: Of the Causes, Generation, and Definition of a Common-wealth
Chapter 18: Of the Rights of Soveraignes by Institution
Chapter 19: Of the severall Kinds of Common-wealth by Institution, and of Succession to the Soveraigne Power
Summary
Although the laws of nature require that human beings seek peace, and maintain that the establishment of contracts is the best means of doing so, the natural human hunger for power always threatens the safety of the contract. Hobbes concludes that there must be some common power, some sovereign authority, to force people to uphold the contract. This sovereign would be established by the people as part of the contract, endowed with the individual powers and wills of all, and authorized to punish anyone who breaks the covenant. The sovereign operates through fear; the threat of punishment reinforces the mandates of the laws of nature, thus ensuring the continued operation of the social contract.
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The sovereign is the ruling force behind the contract; in the analogy between the abstracted contract and an artificial person, the concept of sovereignty is the soul of the artificial person and the sovereign itself, the head. This artificial person is a metaphor for the state in total, and Hobbes names this artificial person 'Leviathan.' Hobbes's description of the construction of the Leviathan draws upon the conclusions made in Book I about the state of nature and repeats its images: 'The only way to erect such a Common Power, as may be able to defend them from . . . the injuries of one another . . . Out of controller mac os. is, to conferre all their power and strength upon one Man, or upon an Assembly of men, that may reduce all their wills, by plurality of voices unto one Will . . . This is more than Consent, or Concord; it is a real Unitie of them all, in one and the same Person, made by Covenant of every man with every man, in such a manner, as if every man should say to every man, I Authorize and give up my Right of Governing my selfe, to this Man . . . on this condition, that thou give up thy Right to him . . . This done, the Multitude so united in one Person, is called a COMMON-WEALTH . . . This is the Generation of the great LEVIATHAN.'
The purpose of establishing a commonwealth is to escape the state of nature and to provide peace and the common defense of the people; the sovereign is responsible for ensuring this defense. The sovereign may be an individual or a group of people, but Hobbes always speaks of the sovereign as 'he.' The power given to the sovereign permits him to do whatever he deems necessary in order to protect the commonwealth. All rights of the individual have been transferred to the sovereign in order for this protection to work, and the only right retained is the right of self-preservation, which was the original reason for establishing the Leviathan.
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There are two ways of establishing a commonwealth: through acquisition (force) or through institution (agreement). The latter accords with Hobbes's description of how natural man raises himself out of the state of nature (through the establishment of the Leviathan). The former, establishing a commonwealth through force, means that a sovereign power takes control of a group of people, who--if they do not resist the acquisition and depose the sovereign--must consent to his control. Thus, a sovereign instituted by force is as much a part of the social contract as a sovereign instituted by agreement. Both have the same function--to protect society and secure peace--and both have the same rights relative to their subjects.
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The rights of a sovereign are as follows: 1) Subjects owe him sole loyalty; 2) Subjects cannot be freed from their obligation to him; 3) Dissenters must yield to the majority in declaring a sovereign; 4) The sovereign cannot be unjust or injure any innocent subject; 5) The sovereign cannot be put to death; 6) The sovereign may determine what ideas are acceptable (he is the ultimate judge of philosophical/scientific first principles) and may censor doctrines that are repugnant to peace (ideas that may cause discord within the population); 7) The sovereign prescribes legislative rules; 8) The sovereign has judicial power in all controversies, civil and intellectual; 9) The sovereign may make war and peace with other commonwealths; 10) The sovereign may choose his counselors; 11) The sovereign has the powers of reward and punishment; and 12) The sovereign may make all civil appointments, including that of the militia. All rights of the sovereign correspond with the laws of nature deduced in Book I and the philosophical methods Hobbes has employed throughout his argument. The sovereign is both the foundation of all true knowledge and the embodied power enforcing civil peace.